The 11th Golden Age of Weird Fiction Page 4

  Revell was still frothing when I returned and tossed his Anatolian silk rug on the floor.

  “I’d have committed murder for that throne-rug,” he growled. “And now—”

  Someday I’m going to tie an anvil to Revell’s ankles and then kick him into Lake Michigan.

  THE GIRL FROM SAMARCAND

  Originally published in Weird Tales, March 1938.

  As her guest set the dainty bone china cup on the onyx-topped, teak tabouret and sank back among the embroidered cushions, Diane knew to the syllable the words which were to filter forth with the next breath of smoke; for three years as Hammersmith Clarke’s wife had convinced her that that remark was inevitable.

  “My dear, where did you ever get those perfectly gorgeous rugs?”

  And Diane, true to form, smiled ever so faintly, and luxuriated in the suspicion of a yawn: the ennui of an odalisk hardened to the magnificence of a seraglio carpeted with an ancient Feraghan rug, and hung with silken witcheries from the looms of Kashan. Diane saw the wonder permeate her friend’s soul and heard it surge into words.

  “The rugs? Why—well, I married them along with Ham, you might say. Yes, they are rather pretty, aren’t they? But they’re an awful pest at times—”

  “Naturally,” agreed Louise, who lived in a loft in the Pontalba Building, where she could look down into the Plaza where Jackson reins in his brazen horse and lifts his brazen hat in salutation to the French Quarter of New Orleans. “You simply couldn’t let the maid clean—”

  “Maid? Lord help us, but I daren’t touch them myself! I tried it, once. That heaven-sent prayer-rug”—Diane indicated an ancient Ghiordes, a sea-green splendor worth more than his right eye to any collector—“looked a bit dingy. And Ham caught me at it. What was left of my hair just fell short of a close shingle. Do you know, one day I caught him filling the bathtub with milk—”

  “What?”

  “Precisely. Seems some expert claimed a milk bath improves the luster. So the little Bokhara—that blood-red creature beneath your feet—got a treatment fit for a Circassian beauty. I’m just waiting for him to bring home a duster of bird-of-paradise plumes for this venerable wreck.”

  Diane stroked what was left of the peachblow, sapphire and gold nap of an age-old Senna woven on a silken warp.

  “The truth of it is,” continued Diane, “I feel guilty of bigamy. The man was married to his rugs long before he ever met me. ’Member how we speculated on the pros and cons of polygamy the other day at Arnaud’s? Well, here I am one lone woman competing with a dozen odd favorites, and a new rival added to the harem every so often.”

  “Good lord, Diane, what next! You are unique. Why, one would think you were jealous of them.”

  “Well, I am!”

  “Outlandish as that fantastic husband of yours. I don’t know which is the more outré, his mania for these beautiful things with the impossible names, or your—heavens above, it does really seem like resentment against them. Now, if you’d married Peter”—Louise laughed metallically—“he’d never have given you time to be jealous of a rug.”

  “That’s just it,” flared Diane, “I could forgive flirtations and black eyes, and a reasonable degree of non-support. But these damned rugs—look at that!”

  Diane dug her cobraskin toe into the closely worn nap of the Feraghan carpet.

  “Look at it! Just a rug, the first time. But live with it day after day. See the witchery sparkling in it at sunset. Catch yourself losing yourself in the thrill of its three hundred years, wondering that all the ecstasy ever lost in tfie entire world could be imprisoned in a rug. Then see your one and only and otherwise adequate husband sitting of an evening, hours at a stretch, staring at it and dreaming of all the richness and glamor he’s lost through becoming civilized, learning to wear shoes, and having only one woman, and she his wife, about the house. Yes, I called you up to have you listen to me get the indignation out of my soul. The truth of it is, Lou, that if I don’t get out of this atmosphere soon, I’ll go utterly mad. Some day I’m going to move in on you in your attic—anything to get away from all this!”

  “Do you mean to say,” began Louise with wide-spaced deliberation, “that you’d actually leave Ham because he likes to mess and poke round with his rugs, and spend most of his waking moments talking about them? Honestly, now—”

  “Good Lord, I could stand his talking about them. But”—Diane shuddered—“Lou, he loves them. Sits there, transfigured, like a saint contemplating the dewdrop glistening in the lotus cup.”

  “When I suggested, over at the Iron Gate, that you move in with me, I didn’t know that you were married—they all called you la belle Livaudaise, and you were the life of everything—and least of all, I never suspected anyone had you enshrined in magnificence like this. Better think it over, Di—I’ve been through the mill, and I know.”

  * * * *

  Diane from the first had been fascinated by the exotic atmosphere in which Clarke had planted her after their marriage; but in the end, seeing how they had become a part of him, she half-consciously hated them and their everlasting song of Bokhara and Herat of the Hundred Gardens: an unheard song to which Clarke listened, and replied in unspoken syllables. And thus it was that Diane learned that to live in Clarke’s apartment would be to become an accessory to those precious fabrics that were his hard-ridden hobby; for no woman would fit into the dim, smoky shadows of that titled salon unless bejeweled and diaphanously veiled she could dance with curious paces and gestures beneath the sullen glow of the great brazen mosque lamp as became the favorite of a khan in far-off Tartary. From the very beginning, Diane fought to keep her individuality untainted by the overwhelming personality of those damnably lovely fabrics from Shiraz and the dusty plains of Ferighan.

  And Diane was right; for they dreamed, those old weavers, of the roses of Kirman, of the evening star that danced on the crest of Mount Zagros, of dancing girls in the gardens of Naishapur, of fountains that sprayed mistily in the moonlit valley of Zarab-shan; and all this they wove into what we now learn to catalogue as Sixteenth Century Persian, or whatever our best guess may be. Into his masterwork the weaver wove his soul; so that whoever lives with one of those imperishable sorceries that come out of the East must in the end feel its presence unless he be somewhat duller than the very wood of the loom on which it was woven.

  Look upon wine as often as you wish, but beware of a Bokhara when it is red—red as the blood of slaughter—red as the embers of a plundered city—a redness charged with the quartered octagons of Turkestan—for in the end you will become enslaved to the silky splendor that once graced the tent floor of a Tekke prince.…

  Diane was right; though Diane never suspected, even dimly, what in the end really did happen to Hammersmith Clarke. For, naturally enough, neither she nor anyone else saw or heard the Yellow Girl; that is, no one but Clarke: and he saw and heard too much.

  Had she suspected—but she couldn’t have. For who would imagine Fate riding to the crossroads in a truck of the American Express Company? It just isn’t done; not until one looks back and sees that it could have happened in no other way.

  But unheard-of things happen in Turkestan; and while one may pause for an evening’s glamor beside some moon-kissed fountain in the valley of Zarabshan, and then march on, forgetting, there is that which does not forget, being undying and everlasting; so that though forgotten, it reaches forth across time and space, not only clinging to the pile of a rug from Samarcand, but resorting even to express trucks to carry it the last step toward capturing the forgetful one.…

  All this Diane knew without knowing why she knew: and it seemed so reasonable that there was nothing incongruous in shuddering and saying as she often had, “I’m afraid of the damned things.…”

  * * * *

  As the door clicked behind the departing expressman, Clarke clipped the leaden seals of the cylindrical bale, cut
its stitching, and thrilled at the thought of the rug he was about to unwrap; for the bale was from Siraganian of New York, who by dint of persistent reaching into the East must finally have succeeded in executing Clarke’s impossible order.

  A tawny, golden silkiness smiled from the gaping burlap sheath.

  Just a glimpse of that wonder in buff and cream, with its lotus-bud border, and frets and meanders in blue and coral and peach, told Clarke that this of all things was as far as possible from what he had ordered Siraganian to get, cost what it might. For in place of Persian intricacies in deep wine reds and solemn green, florid magnificence that Isphahan had given to the world before the splendor died, Clarke was confronted by an ancient rug from Samarcand—silken Samarcand in the valley of Zarabshan—thick-napped and luxurious, mysterious with its Mongolian cloud bands and asymmetrical corner pieces, bats and dragons, and five-medallioned firmaments of blue that could come from none but the vats of Turkestan.

  “Good God! It’s silk!” marveled Clarke as he stroked the lustrous pile. “Silk, and by the Rod, on a linen warp!”

  He wondered how Siraganian could have made that incredible mistake, sending him such a rug in place of what he had ordered. If it were a case of sending something just as good—an unheard-of procedure with that Armenian merchant-prince—he certainly had been crafty enough, for no connoisseur who once touched that rich pile, whose eyes were once dazzled by those insinuant colors, whose senses were stricken by the sorcery of cabalistical designs, could ever return it and say that he had ordered something else. Rather would he thank Siraganian for his error.

  A silk pile on a warp of blue linen, and woven in the days when Persian Hafiz was called to account by that fierce Mongol for a verse wherein the poet bartered the prince’s favorite cities, Samarcand and Bokhara, for the smile of a Turki dancing girl, and the mole on her left breast; unbelievable fortune had sent him this incredible rug.

  And then Clarke’s wondering, triumphant eyes clouded as he thought of a girl beside whom Samarcand and Bokhara were but the tinkle of brazen anklets—a very long time ago, when there was no Diane, when Clarke pursued rugs for that same Siraganian who now sought them for Clarke.

  “Egber an Turki bedest ared dilt mara,” muttered Clarke, forgetting all but the glamorous perils that had lured him far into lost cities and high adventure. Hafiz was right.

  And for a moment the rug from Samarcand, its five by seven feet of tawny, silken perfection putting to confusion the priceless Feraghan on which it had been unrolled, gleamed unregarded as Clarke’s mind whirled to the sonorous accent with which the divine Hafiz had enslaved the East and its savage conquerors.

  “Egher an Turki—”

  Strange, how after all this time one would remember. It must be that one could never quite forget.

  The telephone rang; but Clarke ignored it until the jangling became too insistent, when he muffled the bell with several towels and a small cushion.

  “Too bad,” he apologized, as he took the cord from his lounge robe and completed the throttling of the almost stifled annoyance, “but I simply can’t be disturbed.”

  In which he was wrong: for to contemplate that wonder from Samarcand was more disturbing than any voice that could creep in over the wire. He fingered the rings of dull, hand-hammered gold that were sewed to one of the salvaged sides; he wondered what palace wall had been enriched by that precious fabric—and with it all came the knowledge that that very rug had been a part of his own past. The life that had been knotted into its pile and the sorcery that had been woven into its pattern were speaking to one of Clarke’s forgotten selves. Yet he was certain that he had never before seen it; for one could never have forgotten such as this, though seen but for an instant. Truly, the rug was a stranger, but the presence that accompanied it was demanding recognition.

  In the meanwhile, Diane tired of hearing the operator’s, “They don’t answer,” and abandoned her efforts to remind Clarke of an engagement.

  “I wonder,” she mused, as she finally set aside the useless telephone, “what deviltry my bien aimé is devising.”

  And then she sought the rendezvous unattended, and made the customary apologies for Clarke’s unaccountable absence.

  He might have retreated into that dusky inner kingdom which from the very beginning he had held against Diane—a silence into which he plunged unaccompanied, not lacking appreciative company, but loving solitude and electing seclusion rather than the sharing of the fancies that twisted and the thoughts that writhed in his strange brain.

  As Diane made her well-rehearsed apologies and frothed behind her vivacious mask, Clarke noted the manila envelope that was fastened to the web of the rug from Samarcand, and addressed to him: a letter, doubtless from Siraganian.

  “We regret,” wrote the Armenian, “that thus far we have had no success in finding at any cost a rug of the weave you ordered. However, we take pleasure in forwarding you this rug which a caravan stopping at Meshed left with our agent in that city with instructions to forward it to our New York office and thence to you. We are pleased that your agent saw fit to use our facilities for forwarding it to you, and wish to congratulate you on having obtained such a priceless specimen. Should you at any time care to dispose of it, be so kind as to give us an option on it, for we are in a position to offer you a better price than any dealer or collector in the United States.…”

  The rug itself was improbable enough—but Siraganian’s letter! An insoluble riddle. It couldn’t be a jest. Then who—?

  True enough, Colonel Merbere’s expedition must have passed through Samarcand, Yarkand, and Kashgar on its way into the unknown stretches of Chinese Turkestan; but his acquaintance with the colonel was slight, and he had no friend in the colonel’s train. And what obscure acquaintance of the “wish you were here” post-card banality would send a rug which in the old days served as a gift from one prince to another?

  Diane’s arrival cut the thread of fancy.

  “Oh, Ham, but it is gorgeous,” enthused la belle Livaudaise as she entered the roseate duskiness of Clarke’s studio. And to herself, “Another rival.…”

  Then she rehearsed the excuses she had offered for Ham’s absence, and hoped he’d absent-mindedly contradict her the first time he deigned to speak for himself. That done, one must consider the latest addition to the seraglio.

  Clarke detailed the story of the rug and its riddle.

  “But who in the world would send you such a gift?” wondered Diane.

  “Exactly no one, très chère.”

  “Unless,” Diane pointed out, “it might be one of your lost loves in those Asiatic playgrounds you’ve never entirely left.”

  Clarke laughed, but his derision was unconvincing, and Diane knew that he had been deep in the blacknesses of Asian nights; knew that her arrival had been an intrusion, that he was but a friendly stranger, babbling to her, a friendly stranger, of loveliness whose intoxication forced him to speak of it to anyone, even her.

  The others were bad enough, with their everlasting song of Bokhara, and Herat of the Hundred Gardens—an unheard song to which Clarke listened, and replied in unspoken syllables; they were bad enough, they, and those monstrous fancies which at times he smilingly expressed with deliberate vagueness, but this yellow witch from Samarcand—

  * * * *

  Diane knew that more than a rug had emerged from that bale whose burlap winding-sheet still littered the floor.

  At last it seemed that she was intruding on a tête-à-tête, eavesdropping on a monologue; so that when Clarke would emerge from his reveries, Diane resented the inevitable thought that he was robbing himself to keep her company. But patience reaches its limit, finally.…

  She saw it, one night, twinkle and smile through a lustrous haze that played over its surface, smile the slow, curved smile of a carmine-lipped woman through the veils of her mystery; saw Clarke sitting there, eyes she
aring the veil and half smiling in return, a devotee in the ecstatic contemplation of a goddess shrouded in altar fumes.…

  “Ham!”

  “Yes,” answered Clarke’s lips. He had now perfected the trick of having his body act as his proxy.

  “Are you taking me to that show tonight?”

  “What show?” Clarke the simulacrum stirred lazily in the depths of the cushion-heaped lounge. “The truth of it is, my dear,” he resumed after a pause during which some memory of the proposed entertainment must have returned, “truth of it is I’m awfully busy tonight—”

  “Busy sitting there staring at nothing and sipping Pernod!” flared Diane, the wrath of months flashing forth. Then, as she saw Clarke settle back into the depths: “Listen, once for all; this nonsense has lasted too long. I might as well have married a mummy! Either get that thing out of the house, or I’ll leave you to your pious meditations indefinitely—”

  “What? Good Lord, Diane, what’s this?”

  “You heard me. You used to be half human, but now you’re utterly impossible. And if you can’t show me a little attention, I’m leaving here and now. For the past many weeks you’ve acted like a model for a petrified forest. Ever since that yellow beast—”

  “Yellow beast?”

  “Exactly! That damned rug is driving me crazy—”

  “Is, or has driven?” suggested Clarke.

  “Lies there like a beast of prey just ready to wake. And you sit there, night after night, staring at it until you fall asleep in your chair. Does it go, or do I?”

  “What do you want me to do? Throw it away?”

  “I don’t care what you do with it. Only I won’t stay in the house with it. It gives me the creeps. You’ve said entirely too much in your sleep lately—first yellow rugs, and now it’s a yellow girl. I’m through!”

  Clarke’s brows rose in Saracenic arches. And then he smiled with surprising friendliness and a touch of wonder.